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The orange-coloured Züsedom-Bank (bench of Züsedom) stands on a field

Charity auction to finance the new village benches in Züsedom

With Jakub Szczęsny, the people of Züsedom developed a bench which, in bright signal orange, places unmissable meeting points in the village landscape, can be used by every age group and, in its design, also offers the younger generation an opportunity to meet. The Züsedom bench. 

On 22 and 23 July, four charity auctions will be held at Broellin Castle to finance the new village benches in Züsedom.
More than 150 objects from the former Erich Kühl secondary school and the stock of the Züsedom countrywomen will be put up for auction.
Bid for a piece of history and support the production of our Züsedom commission!

Visit the auction website here: auktion.neueauftraggeber.de

Auction 1 : Friday 22 July 2022 15:30:00 - DDR teaching aids (focus on technology & audio)
Auction 2 : Friday 22 July 2022 18:30 hrs - DDR teaching aids (focus on biology)
Auction 3 : Saturday 23 July 2022 13:30 hrs - DDR teaching aids (focus on large maps & media)
Auction 4: Saturday 23 July 2022 16:30 - School Inventory, Rural & Curiosa

The auctions will take place in the context of "30 Jahre Gegenwart", the 30th anniversary of the Schloss Bröllin e.V. association.

Auctioning is only possible on site, the lots must be taken over directly after the auction. Shipping is not possible.

More about 30 years of Bröllin: broellin.de/30-jahre/

Photo: Victoria Tomaschko

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Many people stand around the artwork the Monster of Tours and interact

Discourse
In German 

With Susanne Burmester, Denis Bury, Holger Friese, Gerrit Gohlke, Kathrin Jentjens, Alexander Koch and Lena Ziese
Presented by Antje Stahl

1st event: 19.02.19, 19:00 , Ticket: 5 Euro

Around 500 projects have already been commissioned in Europe. For this opening evening, we will discuss the motivations behind them, the topics that top people's lists, and how artists come up with answers to the challenges on-site. How do the projects work? How does one become a patron? Who pays for it? And how might art be able to assert itself in the midst of life as a contribution to democratic cohesion? On this first of six evenings in the “Whatever You Want!” event series in the Grüner Salon, mediators for the New Patrons report on civic projects with international artists.

2nd…

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Berlin's Best is an award by KREATIV KULTUR BERLIN, the advisory centre for cultural funding and creative industries in Berlin. Awards are given to actors who offer solutions, networks that move things forward or companies that create added value for others - and the Gesellschaft der Neuen Auftraggeber is there as a best practice example. In an interview with Berlin's Best, Alexander Koch, Gerrit Gohlke and Karola Matschke reveal more about the New Patrons and the idea behind them.

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On 18.11.2018, Alexander Koch will give a lecture at the Athens Biennale as co-founder of the New Clients Movement in Germany. He will present particularly exciting projects from all over Europe and put them up for debate.

More info (in English)

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From 26 to 27 October 2018, the artistic management team of the Berlin Bärenzwinger is organising a symposium in Neukölln. This event aims to bring together artistic, academic and urban policy positions to discuss the past, present and future use, function and significance of this place together. Alexander Koch is invited as a guest and will present Die Neuen Auftraggeber as a structural model for a contemporary culture on behalf of the citizens.

Further info and participation

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Editorial of the magazine #31 of the Federal Cultural Foundation with the title Your commission please!

"Tobias Asmuth retells a recent episode from the history of the small village of Blessey in the French province, how the collaboration with the world-renowned Swiss artist Rémy Zaugg changed the village and the self-confidence of its inhabitants. It is an outstanding example of the lasting effects that the NEUE AUFTRAGGEBER, which have also been funded in Germany by the Federal Cultural Foundation since spring 2017, can have." from the editorial of the magazine #31 of the Federal Cultural Foundation.

Read the article here

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